This is a set of 16 Helmholtz resonators. Made from sections of brass that were spun on a lathe, they are wonderfully light and easy to hold. Helmholtz designed them to demonstrate his theory that all vowel and musical sounds are composed of combinations of simple, pure notes (Helmholtz’s “Theory of Timbre”). He correctly observed that musical sounds, particularly the higher tones, are often perceived as a single mass of sound.
In 1862, the German scientist Herman Helmholtz invented another important acoustic instrument, the double siren. The new instrument combined two Dove Sirens, which were positioned to face each other and coupled on the same shaft. Both sirens were also connected to the same air supply, which made it possible to produce a variety of frequencies, all of which would slide up or down the scale as the air pressure was increased or decreased.
Koenig’s flame analyser was, next to the sound synthesizer, one of the clearest expressions of Hermann von Helmholtz’s theory that complex sounds were made up of a spectrum of elemental or pure tones. The adjustable resonators covering a range of 65 notes from sol1 to mi5 (96–1,280 Hz), could each be rendered visible with a connection to a manometric flame capsule. The resonators were connected to a gas-filled capsule with a rubber tube. If activated, the distinctive pattern would appear in the rotating mirror.
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